Stage at the Charles Danforth Gallery, University of Maine at Augusta, featured a 12-foot inverted parallelogram sculptural installation that echoed Patricia Brace’s earlier work, She’s So Heavy. During the pandemic, Brace performed an improvisational piece within this structure, integrating aerial camera footage and movement set to Chopin’s Nocturnes. The work explored themes of loss, subscendence, and grief, using sculpture and performance to navigate the ethereal and foster collaboration. Through this durational, site-responsive piece, Stage became a meditation on loss, the unknown, digital connection, and the unseen forces that shape our lived experiences, reflecting on the complex nature of human existence and emotional release.